{"product_id":"the-architecture-of-collage-marshall-brown","title":"The Architecture of Collage:  Marshall Brown","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\" data-mce-fragment=\"1\"\u003eEdited by James Glisson and Marshall Brown\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\" data-mce-fragment=\"1\"\u003eThe\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold\" data-mce-fragment=\"1\"\u003efirst book on American architect Marshall Brown and his collages, which sit at the intersection of architecture and art.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eDespite its consistent presence in architectural practice throughout the twentieth and twenty-first centuries, collage has never been considered a standard form of architectural representation like drafting, model making, or sketching. The work of Marshall Brown, an architect and artist, demonstrates the power of collage as an architectural medium. In Brown’s view, collage changes the terms of architectural authorship and challenges outdated definitions of originality.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003ePublished in conjunction with the exhibition \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eThe Architecture of Collage: Marshall Brown\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eat the Santa Barbara Museum of Art, the book features some forty collages by Marshall Brown. These works come from four of his collage series, including \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eChimera\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eJe est un autre\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, as well as the previously unpublished \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003ePrisons of Invention\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eand\u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ePiranesian Maps of Berlin\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Additionally, there are photographs of\u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eZiggurat,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ean outdoor sculpture with a design based on a collage from \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eChimera\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e. The full-color plates are supplemented with essays by critic and curator Aaron Betsky, scholar of art history and archaeology Anna Arabindan-Kesson, Santa Barbara Museum of Art’s curator James Glisson, and Marshall Brown that outline the conceptual foundations of Brown’s intriguing exploration of an intersection of architecture and art.\u003c\/span\u003e\u003c\/p\u003e","brand":"SBMA","offers":[{"title":"Default Title","offer_id":40640046956644,"sku":"9783038602910","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0167\/9500\/9124\/products\/MarshallBrown300.jpg?v=1663273812","url":"https:\/\/sbmashop.net\/products\/the-architecture-of-collage-marshall-brown","provider":"SBMA","version":"1.0","type":"link"}